In English only.; This recording has been identified as potentially culturally sensitive. Remote access and reproduction is restricted. Please contact the Curator of Native American Materials for more information.
Interview with Seneca artist Ernest Smith regarding his paintings held at the Rochester Museum. The paintings are referred to by their Museum catalog numbers.; [963] The Talking Skull -- [1074] The Toad Woman -- [1013] Unidentified -- [1073] Unidentified -- [1082] Trails of the Great Beyond -- [1096] Unidentified -- [1097] Unidentified -- [1087] Unidentified -- [1075] Unidentified -- [1088] The Wounded Bear -- [1064] The Buzzard and his Ill-Fitting Coat -- [1067] Unidentified -- [1068] Unidentified -- [1070] Unidentified -- [1072] Unidentified -- [1059] Unidentified -- [1056] Man in the Cliffs -- [655] Unidentified; This item has been identified as potentially culturally sensitive. Reproduction and remote access is restricted. Please contact the Curator of Native American Materials for more information.
audio:23186; APSdigrec_5621; Recording Number: 03; Program Number: 01
Description
Recorded on one green SoundScriber phonograph disc, indicated in correspondence as "Record 3." Contains the end of "The Buffalo Story," which was presumably begun on prior two discs, which are not in the collection and not known to exist anymore. The remainder of the disc contains the story "Geneseo Reservation" in its entirety, followed by an unidentified story in Chinese.
audio:6550; APSdigrec_3650; Recording Number: 03; Program Number: 02
Description
Interview with Seneca artist Ernest Smith regarding his paintings held at the Rochester Museum. The paintings are referred to by their Museum catalog numbers.; [1011] Sky Woman -- [1014] Three Sisters: Corn, Bean, and Squash -- [1015] People Dancing in Sky World -- [1018] This is the Way the Water Goes -- [?] The Nephew and His Cruel Uncle -- [612] The Spirit of Spring -- [613] Depicting Sorrow at Loss of Seven Daughters -- [615] Story of the Young Lad Beyond the Rapids -- [616] Unidentified -- [619] The Eagle Charmer -- [630] The Sick Man -- [631] Unidentified -- [632] The Man's Race With Monster -- [633] The Spirit of the North -- [634] Jealousy -- [635] The Stone Giants -- [636] Annual New Year [White Dog] Festival -- [638] Gift to the Little People -- [643] He Who Rises on A Column of Smoke -- [646] The Great Serpent -- [647] Story of the Vampire Ghost -- [?] Spirit of the Hurricane -- [1056] The Storyteller of the Cliff -- [?] The Legend of the Flying Canoe -- [1023] The Story of the Boy Who Disobeyed His Brother's Order
Interview with Seneca artist Ernest Smith regarding his paintings held at the Rochester Museum. The paintings are referred to by their Museum catalog numbers.; [615] Unidentified -- [1063] Stone Giantess -- [635] Unidentified -- [645] Unidentified -- [651] Unidentified -- [634] Unidentified -- [731] Unidentified -- [580] Unidentified -- [1011] Unidentified -- [545] Unidentified -- [497] Unidentified -- [712] Unidentified; This item has been identified as potentially culturally sensitive. Reproduction and remote access is restricted. Please contact the Curator of Native American Materials for more information.
audio:6578; APSdigrec_3664; Recording Number: 11; Program Number: 01
Description
Discussions with Ernest Smith regarding Flute Player, Courting Flute, Fish Dance Song, Burnin [sic] Springs, Stories to Scare Children (Long Nose, Legs, Flapping Ears). A very distorted program, with prominent uncorrected background noise.
audio:6580; APSdigrec_3665; Recording Number: 11; Program Number: 02
Description
Discussions with Ernest Smith regarding Flute Player, Courting Flute, Fish Dance Song, Burnin [sic] Springs, Stories to Scare Children (Long Nose, Legs, Flapping Ears). A very distorted program, with prominent uncorrected background noise.
Interview with Seneca artist Ernest Smith regarding his paintings held at the Rochester Museum. The paintings are referred to by their Museum catalog numbers.; [1114] The Trader At the Gate -- [701] Unidentified -- [700] Unidentified -- [698] Unidentified -- [702] War Party -- [1102] Child Studying Nature -- [1105] Unidentified -- [696] Lacrosse Game -- [1058] Tug of War -- [694] Unidentified -- [652] Unidentified -- [1050] The Story Teller; This item has been identified as potentially culturally sensitive. Reproduction and remote access is restricted. Please contact the Curator of Native American Materials for more information.
In English only.; This recording has been identified as potentially culturally sensitive. Remote access and reproduction is restricted. Please contact the Curator of Native American Materials for more information.
In English only.; This recording has been identified as potentially culturally sensitive. Remote access and reproduction is restricted. Please contact the Curator of Native American Materials for more information.
This recording is the second half of a longer recording session. In the full version, the first half includes songs relating to longhouse ceremonies and is therefore the full version is restricted as potentially culturally sensitive. In the portion of the recording given here, Fenton interviews Roland Sundown on various topics relating to his life and Seneca stories. Includes a few brief phrases in Seneca.
audio:8968; APSdigrec_3861; Recording Number: 11; Program Number: 27
Description
Originally recorded phonograph discs in 1936, then transferred to open reel tape for the APS by the Library of Congress in 1970. This recording has been identified as potentially culturally sensitive, pending further review. Reproduction is restricted.
audio:8965; APSdigrec_3860; Recording Number: 11; Program Number: 26
Description
Originally recorded phonograph discs in 1936, then transferred to open reel tape for the APS by the Library of Congress in 1970. This recording has been identified as potentially culturally sensitive, pending further review. Reproduction is restricted.
audio:6556; APSdigrec_3653; Recording Number: 05; Program Number: 01
Description
Interview with Seneca artist Ernest Smith regarding his paintings held at the Rochester Museum. The paintings are referred to by their Museum catalog numbers.; [1077] The Chipmunks -- [1108] Lunchtime -- [1107] The Pigeon -- [1106] The Mammoth -- [1105] Curing Tobacco -- [1104] Roasting Corn -- [1103] Dreaming of the Mask Society -- [1102] Child Studying Nature -- [1100] Woman Working Corn -- [1099] Unidentified -- [1098] Captive -- [958] Moral of Share and Share Alike -- [1096] Unidentified -- [1095] Unidentified -- [1094] Unidentified -- [1093] Old Crooked Mouth -- [1092] Unidentified -- [1091] Thunder -- [1113] Unidentified -- [1112] Unidentified -- [1111] Witchcraft -- [1110] Trading Arrows -- [1130] Making Hemlock Tea
This recording has been identified as culturally sensitive. Remote access and reproduction is restricted. Please contact the Curator of Native American Materials for more information. "False Face" is a term for Haudenosaunee Medicine Masks that was applied by the original collector to this recording. The term is considered both inaccurate and offensive by many Haudenosaunee communities.
audio:5714; APSdigrec_3649; Recording Number: 03; Program Number: 01
Description
Interview with Seneca artist Ernest Smith regarding his paintings held at the Rochester Museum. The paintings are referred to by their Museum catalog numbers.; [652] Great Ball Game -- [617] War Dance -- [611] False Face Rites -- [610] Dance of the Women -- [1016] Dance of the Dead -- [714] The Birds -- [1000] Indian and Birds -- [956] Lone Indian and Fire -- [736] Madonna-Mother With Boy -- [735] The Flute Player -- [733] Spirit of the Gambler -- [1052] Fighting a Bear -- [1050] Storyteller -- [1051] Six Nations on Tree -- [651] Elk and Indian Woman -- [656] Story of Striking Lighting -- [680] Woman Clan Mother Standing on Ground -- [690] Indian With Corn -- [696] Lacrosse Game -- [1011] Sky Woman
In Seneca only.; This recording has been identified as potentially culturally sensitive. Remote access and reproduction is restricted. Please contact the Curator of Native American Materials for more information.
Includes Medicine Song, Pigeon Song, and other songs. Also includes some speech in Seneca and an interview regarding the consultant's life history.; This recording has been identified as potentially culturally sensitive. Remote access and reproduction is restricted. Please contact the Curator of Native American Materials for more information. An edited, non-restricted version of this recording has been made, consisting of the final 7 minutes, 47 seconds of this recording, in which Fenton interviews Roland Sundown on various topics that do not touch upon culturally sensitive matters as currently defined. This non-restricted version is titled "Interview with Roland Sundown."
audio:5710; APSdigrec_3647; Recording Number: 01; Program Number: 01
Description
Interview with Seneca artist Ernest Smith regarding his paintings held at the Rochester Museum. The paintings are referred to by their Museum catalog numbers.; [727] Eagle Dance -- [725] Carving Great False Face on Tree -- [724] The Thunder God (Hi Ng) -- [723] Thadodaho, Maker of the Five Nations Belt -- [722] False Face Healing Ceremony -- [720] Death Dance -- [719] Medicine Picking -- [718] False Face -- [730] Legs -- [703] Death Watch -- [706] Greeting Dawn -- [682] Little Water Medicine
Interview with Seneca artist Ernest Smith regarding his paintings held at the Rochester Museum. The paintings are referred to by their Museum catalog numbers.; [1079] The Pipe Carver -- [950] The Story of the Hunter -- [1000] Capturing the Eagle -- [1062] Unidentified -- [717] Making Pottery -- [685] Unidentified -- [621] Heating Water -- [1022] Unidentified -- [?] Portrait of Jesse Hill -- [688] Portrait of William Gordon -- [741] Unidentified -- [744] Unidentified -- [736] The Woman With the Cradleboard -- [735] The Flute Player -- [740] Processing Corn For Soup -- [697] Unidentified -- [1131] The Fisherman -- [1104] Roasting Corn -- [966] Giving Thanks to the Maker; This item has been identified as potentially culturally sensitive. Reproduction and remote access is restricted. Please contact the Curator of Native American Materials for more information.