The Journal of Astronomical Observations includes brief notes on telescopic observations of comets, stars, and planets conducted by Cromwell J. Varley between 1845 and 1858, accompanied by twenty ink and watercolor sketches.
Jehane Ragai discusses the scientific tools used to detect forgery in paintings.; Proceedings of the American Philosophical Society. Vol. 157, No. 2 (June 2013), pp. 164-175
Georgiana Shipley updates Benjamin Franklin on her life. Shipley alludes to her development as a "great politician", a portrait of Franklin made in France that she saw a copy of, references that the "American Squirrel" is alive, albeit old and blind, amongst other items of interest.; American Philosophical Society
Letter from Edmund Jennings to Charles Willson Peale in response to a letter from 1771. He discusses a variety of topics, but specifically mentions Benjamin West's art and The Death of General Wolfe. Charles Willson Peale writes to Edmund Jennings in 1779. He discusses the war and economics in the States.; American Philosophical Society
Letter from John Adams to Abigail Adams from Philadelphia in August 1776. He describes going to Mr. Peale's (presumably Charles Willson Peale) house to see a picture of the extended Peale family. Adams describes the picture as well as other portraits and compares them to John Singleton Copley's work, claiming that they are not as good as Copley's but better than Benjamin West's. Adams lists a number of portraits that Peale has painted. Adams also refers to some Peale sculpture, "heads which he has made in Clay, as large as life."; American Philosophical Society
Parramatta, [N.S.Wales], A.L.S. 4p. Enc. wanting Concerns paper on Australian rock carvings and paintings. For printed paper, see: "Rock Carvings and Paintings of the Australian Aborigines," APS Proceedings, vol. 36, pp. 466-478
Parramatta, New South Wales, A.L.S. 4p. Enc. wanting Concerns papers on rock carvings and paintings. Asks about becoming a "Corresponding Member." For printed paper, see: "Rock Carvings and Paintings of the Australian Aborigines," APS Proceedings, vol.36, pp. 466-478.
; ; Yve-Alain Bois talks about Picasso and the Oscar Wells film regarding a forged Picasso painting: "F for Fake"; Proceedings of the American Philosophical Society. Vol. 160, No. 1 (March 2016), pp. 6-17
Parramatta, N.S. Wales, A.L.S. 3p. Concerns his papers on Australian rock carvings and paintings. For papers, see: "Australian Rock Carvings," APS Proceedings, vol. 36, pp. 195-208, and "Rock Carvings and Paintings of the Australian Aborigines," APS Proceedings, vol. 36,466-478.
G. Shipley writes to B. Franklin about a portrait he sent to her as well as a wax portrait of her father and a drawing she is sending him. She describes a dinner with Mr. Vaughan and the electricity experiments that occured. Shipley concludes by discussing the current parliament session.; American Philosophical Society
Georgiana Shipley sends Benjamin Franklin a drawing she has done after a picture by Joshua Reynolds. She writes about her family as well as the popularity of electricity as a cure-all.; American Philosophical Society
Letter from Charles Willson Peale to Benjamin West about his travels and work. Peale describes being in debt and working to pay them off. Peale also describes the ensuing war and the preparations for it in the colonies as well as early skirmishes in New York and the situation in Philadelphia. He then discusses West's art and mentions the inclusion of sketches with the letter. At the end of this transcribed document is another letter sent to Hon Beal Bordly in November of 1772.; American Philosophical Society
Letter from Charles Willson Peale to Edmund Jennings about his current business and personal finance. He explains that his trip to Philadelphia and Annapolis did not make him money, although his creditors thought it should. Peale explains that the goal of going to Philadelphia was "to establish a name there." He also describes spending time repainting pictures that "my friends at Annapolis [...]" complained had "faded". He then describes traveling to Virginia and remarks on the "difference of disposition between the Southern and Northern colonies Pennsylvania and Virginia being a perfect contrast." These trips, Peale claimed, allowed him to get out of debt. "I rejoice that the times have allowed me to do so much. But alas, I fear I shall have no more to paint and that I will remember your once telling me that when my brush should fail that I must take the musket." Peale continues by discussing the forthcoming war. He describes loyalists arriving in England and Scotland and describes George Washington. Peale concludes the letter by discussing more specifics about unrest in America and writes about Thomas Gage.; American Philosophical Society
Parramatta, N.S. Wales, A.L.S. 4p. Concerns his papers on rock paintings and initiation ceremonies. Regrets death of Harrison Allen. For printed papers, see: "Rock Carvings and Paintings of the Australian Aborigines," APS Proceedings, vol. 36, pp. 466-478, and "Initiation Ceremonies of Australian Tribes," APS Proceedings, vol. 37, pp. 54-73.
Photostats of instructions by William Franklin on how the Governor's house at Perth Amboy should be painted and papered.; American Philosophical Society
Charles Willson Peale's diary beginning in October 1775. The diary covers a wide range of topics, including Peale's painting career, his family, and current events. The diary also includes sketches with a variety of subjects--a seated woman, architectural details, and a group of seated figures.; American Philosophical Society