Portrait of Paine, after Peale, holding an open book inscribed "Rights of Man".; Attached to larger paper support. " The Picture by Peel of Philadelphia in the Possession of T. B. Hollis Esq. "
Charles Willson Peale's diary from 1779 to July 31, 1780. The diary covers a wide range of topics, but a significant portion of the writing is accounts and other personal finance notes. A sketch, possibly a portrait, of a woman in an oval frame is also in this diary.; American Philosophical Society
Charles Willson Peale's famed Philadelphia museum began in his home as a portrait gallery which was soon augmented with a hall of "moving pictures with changeable effects" advertised in the above broadside. Only one year after it was issued Peale began publicly advertising that a portion of his house would henceforth become a "repository for natural curiosities." 2 copies.
Charles Willson Peale's letterbook from 1782-1795. The letters, written by Charles Willson Peale, cover a variety of topics including his art production, the war, and family.; American Philosophical Society
Typed L. 3p. Copy. (see Peale Papers. Mills collection.) Rembrant in Paris. Museum in care of Rubens. Concerning his farm. With copy of letter from same to same; March 11, 1810.
General physical description: 12-1/2x 8
Bust-length portrait of Thomas Paine, after Peale.; Gimbel: 200 " A Paris, chez le cit. Basset, Md. d'Estampes, rue S. Jacques, au coin de celle des Mathurins".
Portrait of Paine, after Peale, holding a closed copy of his Rights of Man.; Gimbel: 188. 3 copies. " W. C. Peele Pinxt./T. Bassett Sculp./Publish'd as the Act directs/ July 14th 1791"
Portrait of Paine, after Peale, holding an open book inscribed "Rights of Man".; 2 copies. " The Picture by Peel of Philadelphia in the Possession of T. B. Hollis Esq."
Letter from Edmund Jennings to Charles Willson Peale in response to a letter from 1771. He discusses a variety of topics, but specifically mentions Benjamin West's art and The Death of General Wolfe. Charles Willson Peale writes to Edmund Jennings in 1779. He discusses the war and economics in the States.; American Philosophical Society
Letter from Charles Willson Peale to Edmund Jennings about his current business and personal finance. He explains that his trip to Philadelphia and Annapolis did not make him money, although his creditors thought it should. Peale explains that the goal of going to Philadelphia was "to establish a name there." He also describes spending time repainting pictures that "my friends at Annapolis [...]" complained had "faded". He then describes traveling to Virginia and remarks on the "difference of disposition between the Southern and Northern colonies Pennsylvania and Virginia being a perfect contrast." These trips, Peale claimed, allowed him to get out of debt. "I rejoice that the times have allowed me to do so much. But alas, I fear I shall have no more to paint and that I will remember your once telling me that when my brush should fail that I must take the musket." Peale continues by discussing the forthcoming war. He describes loyalists arriving in England and Scotland and describes George Washington. Peale concludes the letter by discussing more specifics about unrest in America and writes about Thomas Gage.; American Philosophical Society
Frontispiece, and title page of Paine, Thomas. 1792. The works of Thomas Paine, esq.: foreign secretary to the American Congress during the war with Great Britain. London: D. Jordan.
Letter from Charles Willson Peale to Benjamin West about his travels and work. Peale describes being in debt and working to pay them off. Peale also describes the ensuing war and the preparations for it in the colonies as well as early skirmishes in New York and the situation in Philadelphia. He then discusses West's art and mentions the inclusion of sketches with the letter. At the end of this transcribed document is another letter sent to Hon Beal Bordly in November of 1772.; American Philosophical Society
Portrait of Paine, after Peale, holding an open book.; "Peel pinxt / Angus sculpt / Published as the Act directs 1 Sepr. 1791 by C. Forster No.41 Poultry". Appeared in the Literary and biographical magazine, and British review, August 1791.
Bust-length portrait of Thomas Paine, after Peale.; Gimbel: 204. "Bolt sc. 1793". According to Moncure Conway, this portrait appeared in: Letter to George Washington, President of the United States of America on affairs public and private / by Thomas Paine, author of the works entitled, Common sense, Rights of man, Age of reason, etc. Philadelphia: Printed by Benj. Franklin Bache, no. 112 Market Street.