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TITLE INFORMATION
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| Title | | Interview with Dorothy Jackson [2 of 2] |
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IDENTIFIERS
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| Legacy Identifier | | APSdigrec_5805 |
| Recording Number | | 03 |
| Program Number | | 02 |
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ASSOCIATED NAMES
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| researcher | | Jones, Judy A. |
| consultant | | Jackson, Dorothy |
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CONTENT DESCRIPTION
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| Abstract | | Interview: life history, women's roles, religions, songs and dances--lullaby, flute, war dances, women's dances, soup dance, dance for picking up the feather, change. |
| Note | | Permission of the collector is required for duplication, citation, or quotation of this material. |
| Language | | English language (eng) |
| Language | | Nez Percé language (nez) |
| Subject (lcsh) | |
Nez Percé women
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| Subject (lcsh) | |
Nez Percé Indians--Music
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| Subject (lcsh) | |
Nez Percé Indians--Religion
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| Subject (lcsh) | |
Hymns, Nez Percé
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PHYSICAL DESCRIPTION
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| Type | | Sound |
| OLAC Discourse Type | | interactive_discourse |
| OLAC Linguistic Type | | primary_text |
| Format | | electronic |
| Format | | Audiocassette |
| Extent | | 00:30:31 |
| Digital Origin | | reformatted digital |
| Reformatting Quality | | replacement |
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ORIGIN INFORMATION
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| Date Issued | | 1991-02-28 |
| Date Modified | | 2012-03-09 |
| Place | | Lapwai (Idaho) |
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PARENT COLLECTION
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| Title | | Jones, Judy A. Musical roles of Nez Perce women, 1990-1991. |
| Call Number | | Mss.Rec.155 |
| URL | | http://www.amphilsoc.org/mole/view?docId=ead/Mss.Rec.155-ead.xml |
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ACCESS INFORMATION
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| Use | |
The APS has an Open Access Policy for all unrestricted material in the digital library. Open Access Materials can be used freely for non-commercial, scholarly, educational, or fair use as defined under United States copyright law. Read the full policy and learn more about our Rights and Reproduction at:
http://www.amphilsoc.org/library/rights
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RELATED MATERIALS
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| Collection | | Phillips Fund for Native American Research Collection |
| Call Number | | Mss.497.3.Am4 |
| URL | | http://www.amphilsoc.org/mole/view?docId=ead/Mss.497.3.Am4-ead.xml |
| Note | | Manuscript material accompanying these recordings can be found in the Phillips Fund Collection. |
